![]() Jean Rhys’s last novel, published in 1966, is an extended version of the story of the first Mrs Rochester, the mad Creole locked up in the attic of Thornfield Hall. At first sight, Wide Sargasso Sea is still caught in the mesh of repetitive patterns, if only because it is a rewriting of Jane Eyre. In Good Morning Midnight, Jean Rhys suggests that the feminine steers a precarious course between repetition, at best parodic, and silence.
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